Friday, 21 October 2016

Thumb twiddling

The same old things have kept me from taking many photographs again. Waiting for deliveries or collections and the shortening days.Having finished stage one of the poultry book I can't start on stage to until I get the hard copy in my hands, which will be in about a week's time. With no project getting me fired up it's been a case of a few random pictures, some of which slot in to my ongoing projects.

I found my first ball in ages but couldn't decide which picture worked best. In the end I felt that the vertical one had something extra to it beyond being a record of a lost ball.


The on-off church project might have got another addition, but the chances of the calendar being done this year is slim.


At a bit of a loose end this afternoon, which was the first free one in ages, I headed to the dreaded nature reserve armed with a wide angle and the ubiquitous superzoom which I tried to keep in my bag. I got off to a good start in using only the ultrawide, but very tame birds in the 'zoo' soon tempted me to try photographing them. It was a waste of time. Although the results were sharp enough there was nothing of interest to the pictures. Most of them got deleted and I remembered why I gave up on photographing wildlife.


Even more tempting than easily approachabe birds are fungi. There are lots about at this time of year and they have the advantage of not moving very quickly! But while it's a bit easier to get technically decent pictures of fungi than of birds, and to have more control over how you frame the shots they still end up being pictures of fungi. Of which I think there are plenty already. But it passed a few minutes.


Probably the best shot I got was the second I took as I left the car park. The trouble with an ultrawide lens is that you have to be very, very close to your subject to make it large in the viewfinder. Which meant I was nearer to the big duck than I thought I was and tripped over its base when I walked away!


Another egg display has appeared on a road I travel regularly. It's one of the more elaborate and professional looking displays but I'm not sure if quail fit my main poultry project. It certainly fits the side-project of egg displays.



Sunday, 9 October 2016

Slow work

Trying to whittle my poultry pictures down into a manageable and coherent set in the Blurb software takes time. For what it's worth this is the procedure I use.

Make a large selection of pictures and add almost all of them to the book's rough template (I use Blurb's Booksmart because I'm used to it). Then start moving them around to make the double pages 'work' and to make the whole thing flow. While doing this pictures get culled. Often a picture which is a good one has to go because it simply doesn't work with anything else or it doesn't add anything to the overall feel of the book.

The next step is to get ruthless and cull some more. Occasionally a culled picture finds its way back in. I'm about a third of the way done - I think. But it's best not to rush things, and then to sit on it for a while and take another look.

When I'm reasonably happy I get one copy printed at the cheapest price I can (paperback, thin paper) and see how the book looks in my hand and to see if any pictures need weeding out for any reason. Then I make final adjustments and corrections to the text, upload the final version and order a hardback copy. Still a long way off that yet! When making books I see the exercise more as one of design in which my 'rules' are different to photography, so I am willing to crop pictures. Yet the same pictures, if I were to print them for display, would be uncropped. Just the way my mind works.

One way to make a book of photographs is to put one picture on each page, or each right hand page, or a combination of such. Another is to vary the layouts, but just as it is usually best to restrict the number of typefaces used in a book (to three or four) the same applies to page layouts. Use too many and things start to look a mess. Nothing is settled as yet, but these are some ideas I'm playing with at the moment.




Once more there has been little opportunity for actually taking photographs this week. An afternoon's aimless driving around saw me end up at the sandplant yesterday. Nothing much had changed apart from a pile of earth had been partially removed. I think the place might be being used as a storage yard.

Across the road there were almost as many people pointing lenses at birds as there were birds within range of said lenses. I always find it slightly amusing to see people dressed in camouflage gear to look through a viewing screen. The symmetry of the couple below was irresistible though. A shame about the tartan flat cap.



Continuing my travels I found yet another 'new' egg sale beside a road I've driven down many, many times. I might have enough of these to make them into a book of their own now!


This afternoon I went looking for dragonflies, which I found but didn't photograph as I have pretty much all the dragonfly pictures I want. However, I still find fungi irresistible and ended up with wet knees making a ham fisted attempt at photographing one small 'shroom. At full size the focus isn't quite where it ought to be. But as a 'web pic' it's OK.



Sunday, 2 October 2016

Round up time

It seems that these days I only pick up a camera to photography poultry related subjects. Almost. I still take lots of pictures when fishing, but they're really just for illustrational purposes on my blog. Most of them are taken with a compact. That doesn't mean they are snapshots, I try to frame them like pictures.

The main reason I've not taken many photographs lately has been work. I've simply not had much time to get out other than to snatch a couple of hours fishing of an evening. Now the nights are drawing in that is getting harder to manage. even so, road side egg sales continue to appear in new places. Although travelling the same routes on a regular basis might appear to be destined to result in diminishing returns there are occasional surprises. One was not very far from home. So close that after taking a couple of ropey shots with a compact I went back to make a better effort. I'm not sure I succeeded. In any case, it's one of those pictures which has to be seen large enough to read the notice.


This other one works at a small scale.


I got to the auction mart shortly after it opened on Saturday. After seeing the light early on last time that was something I wanted to work with, and I wanted some more and better pictures of people arriving. The trouble with 'great light' is that you can get carried away with using it in rather ways so that it becomes the subject and doesn't really add much to the story being told. The picture below being a case in point. I could have spent a lot longer than I did with the lens stopped right down to produce the starburst while waiting for the  perfect silhouette in the doorway. That's the kind of thing that street photography tutorials tell you to do. But it's been done a thousand times before.


What I really needed and wanted were pictures that show what it's like being at a poultry auction. That also takes patience and making a lot of frames that don't work, but what it needs most is vigilance for unfolding events. even if that's as imple as someone raising their hand to bid. Then you have to be in the right place to get the framing right, with the right focal length lens!

This time I'd reverted to my original tactic of using two cameras each with a fixed focal length lens. I think this helps me see things better because it forces me to keep thinking about where to position myself rather than being rooted to the spot twisting a zoom ring. Maybe I'm kidding myself, but I don't think so. Although I imagined I'd get nothing new I got one shot I really like. I like the circular way the gazes go round the frame, I like the stripey bits, the colourful bit, and the fact that the two main figures aren't old codgers shows how poultry keeping appeals to all ages. The mobile phone is nice 21st century punctum in a scene that probably hasn't changed much in decades. I might change my mind later, but at the moment I'm satisfied.


Finally I tried to make a sequence about the end of the day when the pens are cleared out.




One thing I have come to appreciate during a long day taking photographs like this is the need to take breaks. Maybe if I did it day in day out my brain wouldn't get tired and lazy, but as I don't I find myself looking as intently at what is going on as at the start of the day. It's surprising how tiring it can be, looking.

Gallery from the auction here.

I'm not sure I can take the auction pictures much further. Which is sort of handy as there is one more in December, so I'd have covered one full year if I attend that one. So it seems as good a time to start pulling some pictures together. My plan is to make another blurb book of pictures from the auctions and the various shows I've been to during the summer. A start has been made on selecting the pictures to make a final choice from. There are lots which will have to be weeded out. All in all it's a daunting prospect. That's why I keep putting it off by doing things like writing this blog which nobody reads! I do have a provisional title, and cover, for the book. And I've come up with some page layouts I haven;t used in other Blurb books I've made. Once I get into the swing of it I'm sure it'll be enjoyable. It's getting started that's the hardest part.


This morning I went to the community farm to watch a small mammal survey being conducted. Not as a photo op, but to see what small mammals there were on the farm. I took a camera, of course, and grabbed one lucky frame of a hapless wood mouse that ran the wrong way when released and entered the chicken run! For once I was happy for the extra pixels which allowed me to make this crop.


Sunday, 11 September 2016

Shaving a pig

Although I didn't achieve much photographically at the poultry show today I did learn the best way to scrape a pig's carcass of hair! As well as the judging pictures of poultry prettification are also scarce in my files. I got there rather later than planned, but still in time to get a couple of pictures. More are still required, although how to convey what's going on with the baby oil and mysterious white powder is the big problem.



One reason for going to the show today was to drop off a couple of prints I'd promised someone. When I arrived I hadn't expected to see the chap I'd photographed sitting on a specially reserved chair at the Lunesdale show, so I popped home and made a couple of prints of the photos I'd taken and fetched them back for him. It's always nice to give something back, and people do seem to appreciate physical prints in this age of electronic media.

I spent a quite a bit of time in the village hall during the judging, eating a sausage barm and drinking tea while listening to talk of things other than pig killing. The state of country shows was one subject discussed, and I'd agree that there is more stress on entertainment and selling things than on livestock these days. I guess that's the way to make the shows pay, by attracting non-farming folk. Then, as the results began to filter through, it was 'eyes down and look in' as notes were taken.


When all the judging was completed it was back to the show to see which birds had won and the post mortems begun! Much consternation among the Orloff fraternity as an unknown owner had got first. Who could it be?

As the regular photographer is recently bereaved he wasn't present and I got asked to photograph some of the winners and the presentation of trophies. Not something I'm skilled at. And equally unskilled at using flash, which I had with me and thought might help. In some ways it did. Mostly in eliminating camera shake and twitchy bird movements. My efforts were not what I'd describe as a threat to the legions of poultry photographers! Pedestrian at best, I would say.

What I did get out of it was a better understanding of how to get people to pose. The chickens take instruction less well. I also understand that I need to pay more attention to backgrounds and not to rush. The whole artificial light thing still befuddles me. I still prefer the results I get from doing nothing fancy than when I try to do it 'properly'. Even so, I got one picture I'm almost satisfied with.


Using flash does have some advantages in the dimly lit shed. I didn't have to worry about the shutter speed and the white balance problems it causes from the fluorescent tubes, nor was getting sufficient depth of field and issue. However, it does make the pictures look more 'journalistic'. Swings/roundabouts. Not much achieved today, but lessons learned for the future, perhaps.

Three o'clock and it was time for the raffle and presentations. The raffle is treated with almost as much seriousness as the announcing of the winners!


 Finally it's time to gather the birds and the day is over.



Tuesday, 6 September 2016

No fat lady

Once more the sandplant surprises me. A flying visit, as seems to always be the case, revealed another stage in it's metamorphosis. How this is going to end is anyone's guess. Piles of graded stone looking like land art. I ought to make a return visit with a tripod and get some more detailed pictures. But I probably won't as I have fish to try to catch!




This is about as close as I ever get to landscape photography. I can understand people wanting to make pretty pictures at the golden hour, but they all seem to lack any purpose. If nothing else these pictures of teh sandplant will serve as a record of how it's changed. It's only with age and looking back at photographs I took a long time ago that I've come to appreciate the value that simple record pictures have, and to feel that it could be the best reason for taking any photograph.